I was looking at the new updates on Xbox One including the wonderful ability to add new hard drives now, increasing the puny 500mb storage. At the same time Microsoft added games for gold, free games to subscribers. One of them was Max and the Curse of the Brotherhood.It was interesting that is is all powered by Unity3d, but that is an aside from this tale.
In the inter a boy wishes his little brother away, a magic portal open up and he is dragged into it. Max didn’t mean it so he dives in after him and ends up in a nice looking platformer where the main tool is a magic marker that lets you create things ate certain points.
I couldn’t get out of my head that the story was very similar and I had an inkling that the name was also very similar from something back in 1997.
Back then I was just joining the slightly rogue organisation called the Interactive Media Centre that was doing some interesting work with early web and at the time interactive CD-ROMs. The sort of fancy stuff that came with magazines before we all had internet access.
The team were busy working on a very early web presence for a washing powder. A game was being built which involved a boy and getting dragged into a parallel universe.
In this case the portal was related to washing. I remember the odd CGI that had been created for the narrative where the boy climbed into the washing machine. We all realised this was not a very sensible thing to be seeing. The render got redone and the story changed a little to involve getting sucked into the pattern of the shirt that was being washed. I am not sure who was doing what where as I was very new to the group. (I even turned up wearing a suit on day one, as we wore in the rest of IBM, that was a mistake of course. Not worn a work suit since 🙂 ). This moment had an impact on me as I realised the bizarre set of things we now were going to have top start worrying about and getting right and checking in this fledgling industry. There was no manual to follow we just had to work it out. So in many ways this was a catalyst for all the things I have been willing to get involved with since. Once you know there will be something weird, you may not know what, but you know you can deal with it you develop a different attitude.
Anyway it turns out this game, which I managed to track down some images of was called “Max and Sparky”. It is pretty amazing that a game from so long ago that aaas just part of a project that the team was working on is documented at all on the web. Now we take it for granted that things will be able to be found and looked up.

So I was play a Max game on the new Xbox One, thinking about an old game with Max and history of the web etc. Just to complete the coincidental combination, the name of the excellent game graphic designer I am working with on this current Unity3d project is …. yes you guessed it.

Yesterday saw the much delayed release of WatchDogs by Ubisoft. It was originally one of the flagship release games for last November when we had the console refresh of Xbox One and PS4.
Firstly, after a good few initial hours of play and investigation I will say that I do really like it. However, most of what I really like are things from other games in the city sandbox genre. They have built a new version of Grand Theft Auto/Saints Row et al. That is not a bad thing, but it would seem the newer features and ideas are extra icing on the cake. It’s not a bad thing. Genres develop and succeed because we enjoy them. We need the patterns of the familiar with some extra tweaks to keep out interest.
So in Watchdogs you are a vigilante with some tech smarts and some hacker friends. Using your trust smartphone you get to do things to people and the city of Chicago in addition to the usual running, driving, shooting, climbing, exploring and collecting of the other great games this builds upon.
Before I go any further though. What is going on with the price of the game? I pre-ordered the disc on Amazon and it arrived on release day for £42. I had nearly cancelled in favour of getting a digital download. Which on Xbox One means that you don’t need to pop the redundant (once installed) disc in the drive on order to play. I am glad I did not. The digital download, you know the easier to distribute, lower overheads, no additional production costs easy money for the distributor version, was £59.99. Nearly half as much again as the physical version direct from Microsoft. Way to go to encourage the digital age.
Anyway, back to Chicago. I found that being a fan of the free roam game I tend to only do a few of the initial missions before getting into wandering around doing side missions. I may have dived into that a bit early as some things I already had unlocked and did made less sense than if I had discovered them in the plot. That is not a criticism. To get this much free roaming variety and link in a story is very hard. I prefer to discover, and would probably be less happy if everything was locked until I had done the first level tutorial grind.
Some skills in the typical RPG progression were locked until a certain level of mission was achieved, so I think all the pointers were there to get on with the campaign and stop gaffing around 🙂
Like all Ubisoft games there is the almost default unlocking of territory by climbing up something and pressing a button. In Far Cry 3 and Assassins Creed maps are unlocked by finding the a hub and dealing with it. Here it’s a cell phone tower. The climbing tends not to be quite so vertical as Far Cry 3. It is generally a puzzle of lifting platforms, razor wire and camera jumps that is needed.
I say camera jump as this is the main new dynamic to reach places that are hard to get to. Being a hacker, if you can see a device like a camera you an take it over. You then get the camera view of the world, in digital snow covered CCTV. Once you have the camera, it is as good as being there. Which means if you can see another camera you can jump view to that. Each camera can then take you round corners up building and into server rooms for the final puzzle hack of a level without having to traverse the level. It’s a twist on the stealth sneaking and it works really well. There are also nice twists such as guards on patrol wearing cameras that you can dive into, but have to wait until the get to the right place on patrol to do whatever deed it is you need to do.
Police chases are as per Grand Theft Auto. If things are going badly, they scan and then chase you. Running and hiding to avoid them ups the tempo of the sneeking around. This is where hacking the city comes into play. You gain the ability to switch traffic lights as you approach them. Initially this seems odd as in a car chase a red light is hardly off putting. When you do switch though all the cars at the intersection get confused and tend to cause a roadblock collision. It’s a bit like Benny Hill’s role in the original Italian Job as you cause gridlock with the lights. Other things such as lifting bridges and massive pipe explosions under manhole covers also feature. You find that this sort of messing around with the environment at a distance also works in the on foot sections. Blowing a pipe or exploding a bad guys phone as a distraction gives a lot of freedom to finish a mission.
One of the parts I like in these games is jumping in a vehicle and seeing the sights. Sort of a pedestrian thing to do by not being a pedestrian. In this mode you generally get to listen to some tunes. The music so far has been good but it is not the multiple radio radio channel experience of GTA.

So you can just grab a boat and sit in the harbour and admire the sky line.
As usual there are some great weather and time of day effects. You have a hideout (or several if you do the tower climbing unlocking ) where you can go a sleep, replenish and set a time to get up. It has only forced that once by way to letting me know that was an option. Sleeping currently seems underrated 🙂
With this game being all modern day hacker the phone plays a major part. It is the scanner that pops up to tell you things about the people around you, the device that lets you blow things up and take over cameras. It does have a few apps on it too though, of course!
There is a shazam style whats this tune app and some media players for the various things you collect. There are also some games. They are referenced as a sort of digital drug experience to allow them to be a bit trippy. Again very Saints Row and like the drug missions in GTA. As a game device it allows some every weird things to happen. I have played 2 of the 4 so far. One is a 3d bouncy jump game around the city, where the platforms are colourful giant flowers that you rag doll onto and bounce around a track, with lots of psychedelic reference points. The other was a full on action game as a giant spider robot in a small part of the city. It is a destruction derby but with the ability to climb up the side of builds and even walk upside down on the elevated railway track whilst firing a massive chain gun. It is a mini game, but not that mini. I am sure the others games and the extra content on its way will be equally satisfying.
Ah yes the other content. Of course a season pass is on offer. i.e. pay in advance for the updates and unlock some content. It’s something to factor into the price of a game now too. Given digital download is the only way to do this properly, and given the price difference of downloading the full thing digitally, I wonder how much more rinsing can go on of early adopters with apparent disposable income?
The smartphone relationship is not just in the game. There is a companion app, separate from Smartglass. This provides a hacking from the map approach of flying a helicopter around and deploying squad cars. It is like Battlefield commander mode.
Then there is the hide and seek game. Whilst playing your single player game you can be invited or just invaded it would seem by a multiplayer task. I only did a few of these but the ones I did were high end hide and seek. I was given a target, I had to find that target and scan them with my phone. They get made aware of the hack and they then have to try and find you in the area amongst the crowds before a time limit expires and then “deal” with you.
The first few didn’t go to well, as I was spending more time thinking about the game dynamic than playing it. The third time was very tense and exciting. I arrived in a flash sports car but parked properly. This meant I looked like an NPC car. I scanned the other player almost by accident as I parked. I think hit the hide in the car button. Light are off engine off. You can be seen in the car. I then watched, panning the camera around as my foe frantically dashed around the block cross crossing, circling, switching direction trying to find me. There I was sat hunched down in the car. I knew if the car moved it would like like a player, if I got out the same thing. So I sat. I watched the timer go 25%, 50%, 75% and as it does so the area the player has to search decreases. It was at 98% and I was about to drive off when they clocked me. Needless to say the car was not bulletproof. It was a very memorable moment for me. It was very different to hiding as a sniper in an FPS (something I prefer not to do). It felt more like an action thriller as the hero watches as the bad guy gets closer. Of course in this case it was not a happy ending. I should imagine though my opponent felt quite a rush too in dealing with me with so little time on the clock. Its a connection to another human through gameplay. We both know how one another felt, but that was it. An anonymous game of hide and seek 🙂
It generally seems to be these moments that define games for me now. It may be the relationship you form with a games puzzle, trying to solve it, realising how much thought and evil intent to catch you out went into it (like in Limbo the game).
Watchdogs may not be the ultimate next gen game, might have more pixels on a PS4 to and Xbox One, but it has got me thinking about the genre again and about these gaming moments in a metaverse.

I signed up for the Microsoft Project Spark beta initially for windows 8.1 but soon cross platform for Xbox 360 and Xbox one. It is a game building tool/environment/experience. It is still of course in its early stages but I was immediately impressed by the build and adventure tutorial.
Being used to environment like Second Life, Minecraft and also programming environments like Unity3d everything is instantly familiar.

Objects are dragged into the environment from a palette. These objects are detailed models not just graphic primitives. People, trees, goblins etc. In that respect it is very similar to Disney Infinity. You are also presented with lots of terrain tools. Sculpting, shaping and painting the environment.
It is clear though that there is much more under the covers. Each object has a “brain” associated with it. This reveals a vast range of interactions and behaviours that can be added to any object. This is done in a very “scratch” or LEGO programming language way. A line consists of a When and a Do programming block. When “wads” Do “move” is the first one it gets you to do. However there are lots of lines that can be added and a huge range of detection, action responses.
Before you know it you are have a single player character, who can run jump and shoot, a mountain range you have created and a bad guy goblin who, when you click test, chases after your.
I set the predlets on it, letting them just follow the tutorial. They have a lot of minecraft building experience and have also programmed a little in scratch. They were both instantly hooked and interested.

Predlet 2.0 left to his own devices just started not quite following the tutorial. It was directing you to create a normal size person, normal size goblin, but a huge mountain and a larger than the default tree. Within seconds he was laughing and playing a little game of escape the giant goblins. He had rescaled the default goblin, cloned it and had giants something around after him. It was an inventive step that is where just letting kids loose on these tools is a joy.

There are some other interesting modes other than pure creation too. You can access a little big planet style carousel of user generated content and play other peoples creations. You can also take those and see how they work and remix them. There is also “crossroads” which is a create your own adventure. Here the environment asks you questions as part of game play. You discover a ? and you pick from a list. Gradually you create a whole mini adventure level but also play as you go along. There will be lots of templates in the future, but for now the one there shows the potential.
it is not all good news though. There is of course a cost to all this freemium game creation. The basic palette of objects and the styles of levels are constantly offering a view of things you don’t own. You are enticed to buy objects or styles etc all the time. Each object can be bought for cash or by earning and grinding game creation time. The balance of this and the potential cost and pester power of needing to have x to play y will be interesting. There is an option to pay an amount (the prices are likely to constantly change) which gives you access to all the content whilst that subscription is valid. There is an implication in some of the video streams by the developers that if you keep using Project Spark you will earn enough in game credit to pay for the next months full time access. So it seems they have the option to appeal to all sorts of people and ways of paying.
Of course we have to generally pay for content, 3d models out in the world are not usually free. Code, animation rigs etc all cost so it is not wrong to be charging for things. It will depend how much we can do with the base kit, what offers arrive, how much time is required to earn credits, whether there is a linkage of family accounts to help kids work together and earn credits etc.
For now, it looks great and offers an very good experience, has some great potential and I can’t wait till I get to see my windows 8.1 creations appearing on my xbox one and vice versa.
Got to go, a giant Goblin has 3d printed itself from predlet 2.0’2 creation and is stomping down the garden

It seems that this needs a breakout post as a follow on from trying to allow my 7 year old son Predlet 2.0 to use the online features of FIFA 14. In trying to manage his account(s) and finding I was not able to I ended up on the phone to EA support. After a little while of too and fro with 1st level support I was transferred to an more knowledgable person.
I was told, quite frankly, that because of US federal law and the COPPA(Children’s Online Privacy Protection Act) regulations anyone under 13 gets more privacy protection. I was happy with that, it makes sense.
Next it seems that EA/Origin create an account based on the birthdate on Xbox One. Once they know the person is under 13 they create a Minor account. Again, it makes sense.
Next it seems that no-one in EA is able to edit the minor’s account regardless of the parents wishes until they are 13 (yes that is no-one!). The excuse being, US federal law doesn’t let them.
This is of course where it gets a odd, and incorrect.
COPPA appears to place more restrictions on what companies do with under 13’s, triggered at any point by any service anywhere asking or discovering a date of birth. Then making the company duty bound to protect the information further.
For EA this amounts to a total ban on under 13’s on pretty much any online title regardless of PEGI rating or parental wishes. By reading the parental approval I was apparently giving approval to this process not giving approval as a parent to allow access.
I wondered how any service anywhere could be used by kids, and comply with US law. I looked at the Moshi Monsters COPPA statement. That appears that they have put in the work and the words to cover COPPA (link is here)

As part of the registration process, we require demographic information (gender, country of residence and birth date); we encourage you to submit this information so we can provide you a more personalized experience. We limit the information we collect, both actively (i.e., what we ask kids) and passively (what we collect through use of web tracking mechanisms like “cookies”) to that which is necessary for kids to take part in a particular Moshi Monsters game activity.

I was directed to EA’s COPPA statement by the support on the phone.
They have a lot less text.

2. Why do you now need an age gate?
Changes to COPPA now require age verification for some of our games that use information gathered by the app and gameplay of the game. According to COPPA, players of these games now have to be age 13 or older.

3. If I’m under 13 years old, will I still be able to play EA mobile games?
For most games, yes. For games that require it, players will see the age verification check the first time you launch or log into the game on or after June 13, 2013. Once the verification is complete, you’ll be able to enter into your game.

For certain games, players under the age of 13 won’t be able to continue. We’ve worked to ensure this is not the case for as many games as possible. These are new requirements that weren’t in place when we first launched our games, and while we must make every effort to stay in compliance with such important laws, we hate that it comes at the cost of some of our players.

The US government provide a clear description of COPPA though here

As a parent, you have control over the personal information companies collect online from your kids under 13. The Children’s Online Privacy Protection Act gives you tools to do that. The Federal Trade Commission, the nation’s consumer protection agency, enforces the COPPA Rule. If a site or service is covered by COPPA, it has to get your consent before collecting personal information from your child and it has to honor your choices about how that information is used.

Nothing in COPPA says that kids can’t be on services. It says that parental permission is needed and security measures need to be in place.

So it is fairly clear that EA have taken the route of just to bothering. Deciding it was too difficult to protect the data. Which of course doesn’t bode well for the rest of us if the data is not secure. They have not provided the parental approval and maintenance tools though even at this basic level. As it stands right now they have an Origin account for predlet 2.0 bound to his Xbox Live account. They have captured his date of birth, yet they do not allow me as a parent to remove that account, or even see if the date of birth is correct?

The online features they use and the data collection they make, the communication options etc are all standard now. I would be more than happy if they use the parental approval system, or they just did not allow an Origin account to be created at all, which is effectively what happens which then cripples the online activity on any EA game on the Xbox One. You cannot logoff from origin, you cannot unbound an Xbox Live ID from EA Origin ID.

Whilst they could not recommend lying about age the implication was that it was better to have another Xbox Live account, with a “different” date of birth and create an EA Origin account with that. That hardly seems to be the right approach to have to lie about age or give access to a full adult account on systems just because EA don’t have the will or the ability to follow the rules?

So parents, if you want your kids to explore and enjoy online gaming activity, with your overwatch then avoid EA Origin games. Showing kids the right way to behave and interact online with one another seems to have to start by setting a bad example and bypassing a system because a large corporate entity can’t find a way to comply sensibly?