Making animation easier with QUMARION

I tweeted about this the other, but after it came up in the Q&A session at yesterdays blended reality pitch I realized I had not put any more here about this interesting device.
The QUMARION is rather like the posable wooden mannequins that artist use to practice drawing figures
Mannequin for drawing
It is instead fully instrumented with sensors to work with a digital description of a human skeleton.

So as you pose the figure that translates to poses in the 3d modelling package.
A purist 3d designer may regard that as undermining their skills with manipulating and understanding the interface on a 2d screen. However this came up as an answer to a question about blended reality as I was talking about how sometime the technology can get in teh way, other times it disappears and lets us use what to know to enhance an experience.
The QMARION is rather like using the real guitar in Rocksmith, it may be an appropriate tool for understanding and communicating with an application.
I know that when I use 3d packages there is a barrier in having to deal with a mental translation of a 2d representation. Being able to just pose a physical device and explain what is needed physically would work for me.
A long while ago I was trying to make some tennis animations for a well known Second Life project. I found myself standing and looking in a mirror, performing the action then sitting down making that action work on a very simple digital rig, but then I had to tune it so that it looked better for the screen. I had no motion capture which would obviously have helped in the first place, but it is the extra artistic interpretation and subtle tweaks that it would have helped a great deal to have had a hands on device to help.
Now this device is only input as far as I know so there is an obvious extension in using it as an output device too. If I mocap a move, but then the device can play that back in physical steps and frames then I could tweak and enhance it. Obviously in games there are some moves that just don’t exist, you cant get certain flips and jumps happening. You can however start with a basis of what you can do.
Again of course this relates to studying the forms in Choi Kwang Do. A physical, but digitally recorded recreation may help someone even more to understand. Also a mannequin can be made to hold a position that may be a transfer on one move to another that a person bound by the law of physics cannot. It becomes a physical pause button.
Another extension to the idea is that this restricts you to one rig. A component model that lets you build any size or shape of joints to create the armature for any creation would be incredible. Combine that with the ability to 3d print the components in the first place, but them together, have that create the rigged model and then animate away. There are some fantastic opportunities for people to create interesting things as this approach evolves.

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