Red Dead Redemption – it is what we miss that makes it so good

Good design of any sort is really effortless, or joyous for those on the receiving end of it. Something that has had a whole load of great design go into it is the new gaming classic Red Dead Revolver. Non gamers and “serious” types may just consider this as trivial as hula-hoop. A toy that a few grown ups enjoy playing with. Well…. it is. At one level of abstraction it is a football, a hoop and stick. On another level, it, and the current generation of well crafted gaming experiences are a fantastic example of good design and talent.
Red Dead Redemption is a cowboy gaming experience. It is an exceptionally large free roaming area interspersed with a plot that takes you from set piece to set piece. You can if you want just go for a ride and see what happens though.
The first thing that most people latch onto, with good reason, is the graphics and the animation in the game.

Given where we were only a few years ago the graphics quality, the detail on things like the horse animations, the size and scale of the terrain, the flora and fauna and even tumbleweeds is very good. Still pictures do not do it justice. Xbox 360 or PS3 though it just works. Just think for a moment the amount of graphic design time that has to go into both the size and scale and the intricate detail. The flowers on the plants, the mane on the horse. Even the bullets in your bandolier are all created by someone. So as a graphic design task, even with tool and middleware support this is a monumental undertaking. Of course tiling, and cut and paste comes into play, but just consider the person hours of skilled design tool usage then add to that the overlaying of the design of “where” all these things go and can go.
Under the covers there is of course code. Programming and detail in allowing things to happen, chaining effects together, determining where and when a bullet has hit. As a programmer I know that most people do not see the code under any of this, but it takes as much design effort and talent as the visuals. The system architecture and middleware combinations becoming the “where” all these things go.
However I think that many people in most enterprise businesses and alike will understand a little about IT (from using it all the time) and maybe a little about visuals from having to create the odd powerpoint. Clearly not the same but at least in the general area. People probably have a moderate understanding of testing (though not the mind numbing repetition and test case coverage that goes into knowing something is right)
The things that people don’t have to get involved with and that have really evolved so much and been taken seriously in the production values of high end games are things around the sounds and voices that you hear.

The sound design is generally so well done, creates so much atmosphere and is in some senses more transient than the visuals that it almost melts away. Also the acting quality is just miles beyond the early fumbling attempts to read badly written dialogue we used to see and hear. When the characters in the game talk to one another in cut scenes or as part of atmospherics in a town it feels real. Of course the dialogue has to be layered with western style occasionally over the top elements, but films that we passively sit and watch have all sorts of over the top characters.
Threading all this together is the script, both a story arc and then the micro stories that form at key points in the game progression. Thrown in are also random events that happen around the place as you travel around, thefts and challenges which you choose to engage with.
Its all highly immersive, and very entertaining. That is without even engaging in what is in effect a completely different use for all these assets, the multiplayer games. These take place in the whole environment, fellow real people being cowboys and travelling the land living their own stories.
Now clearly I am a gamer, but I do not always feel compelled to complete a storyline. However recent months have seen Modern Warfare 2, Uncharted 2, Heavy Rain and Red Dead Redemption all making me want to complete the storyline and not ending up disappointed. There are lots of games but these stick in my mind for being good stories and for me wanting to, and actually bothering to complete them. Many people will of course not spend 40+ hours on a single gaming experience of this sort, though they will of course spend 40+ hours grinding on Farmville, or breaking jewels in Bejeweled and alike, or maybe watching Eastenders or Coronation Street repeat soap plots. It is though all good as far as I can see.
Games and gaming experiences, both ones we create for ourselves and ones we are directed through are as memorable as any traditional film or TV experience. The effort and design going into them warrants the time and attention to explore them. For me it is of course business and pleasure, research and a release, which makes it doubly valuable.
Well done Rockstar games (again)